artículo académico

• Mixture and resistance in Mapuche rap: champurria in the music of female rappers Fátima Rivera and MC Millaray .  CONTRAPULSO.  7(2):119-135. 2026
• Female associativity in rap in the city of Concepcion, Chile: The case of the festival and female rap group Expresion FEM.  LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA.  46(2):176-210. 2025
• Male and Female Rappers on the Streets and on Public Transport: New Trends in Street Music in the City of Concepción, Chile.  CUADERNOS DE MUSICA IBEROAMERICANA.  38:215-239. 2025
• Social support network in Latin American hip-hop: connection and solidarity from the experiences of hiphoppas immigrants in the city of Concepción, Chile.  REVISTA MUSICAL CHILENA.  79(243):143-159. 2025
• Tecnología popular: el surgimiento del RAP y la cultura Hip Hop.  CUADERNOS DE BEAUCHEF. CIENCIA, TECNOLOGIA Y CULTURA.  9(1):109-124. 2025
• Urban Music as a Melting Pot: Interdisciplinary Explorations from the Youth Condition and Festive Leisure Scenes in the City of Concepción, Chile (2024-2025).  RESONANCIAS.  29(57):127-152. 2025
• Urban experiences of Latin American immigration in Chile: the case of hiphoppers in the city of Concepción.  ANTEC.  9(1):237-258. 2025
• Between the Analog-Digital and the Underground- Mainstream: The Articulations of Rap in Santiago, Chile (1995-2000).  MUSICA HODIE.  24. 2024
• From hip-hop to community feminism: the experience of the Suyai Free freestyle tournament in Chile.  SOCIEDADE E CULTURA.  27. 2024
• Re-thinking the rap as a street musical practice in the city of Concepción, Chile: methodological reflections from a gender positionality.  TRANS-REVISTA TRANSCULTURAL DE MUSICA.  28:1-22. 2024
• The sociotechnical networks of the early years of rap in Santiago de Chile (1984-1996): between “techno-dependence” and creativity against the grain.  NEUMA.  1:52-72. 2024
• The experience of the casete as a binder meta-device in the beginnings of rap in Santiago of Chile (1983-1999).  REVISTA ARGENTINA DE MUSICOLOGIA.  23(2):148-171. 2022
• The confluence between Chilean rappers and multinational record labels during the decade of 1990: an operation with implications for the development of hip-hop in Chile.  MUSICA POPULAR EM REVISTA.  8. 2021
• The Beginning of Hip-Hop in Chile (1984-1987): Reception and Learning of a Foreign Musical Culture in Times of Dictatorship.  POPULAR MUSIC RESEARCH TODAY: REVISTA ONLINE DE DIVULGACIÓN MUSICOLÓGICA.  2(2):79-99. 2020
• The rise of competition freestyle in Chile: batalla de gallos as a renewed way of making and consuming hip-hop.  CONTRAPULSO.  2(2):65-79. 2020